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e: close and quiet; any one may repose confidence in her。 But; as I was saying: sitting in that window…seat; do you think of nothing but your future school? Have you no present interest in any of the pany who occupy the sofas and chairs before you? Is there not one face you study? one figure whose movements you follow with at least curiosity?”
“I like to observe all the faces and all the figures。”
“But do you never single one from the rest—or it may be; two?”
“I do frequently; when the gestures or looks of a pair seem telling a tale: it amuses me to watch them。”
“What tale do you like best to hear?”
“Oh; I have not much choice! They generally run on the same theme— courtship; and promise to end in the same catastrophe—marriage。”
“And do you like that monotonous theme?”
“Positively; I don’t care about it: it is nothing to me。”
“Nothing to you? When a lady; young and full of life and health; charming with beauty and endowed with the gifts of rank and fortune; sits and smiles in the eyes of a gentleman you—”
“I what?”
“You know—and perhaps think well of。”
“I don’t know the gentlemen here。 I have scarcely interchanged a syllable with one of them; and as to thinking well of them; I consider some respectable; and stately; and middle…aged; and others young; dashing; handsome; and lively: but certainly they are all at liberty to be the recipients of whose smiles they please; without my feeling disposed to consider the transaction of any moment to me。”
“You don’t know the gentlemen here? You have not exchanged a syllable with one of them? Will you say that of the master of the house!”
“He is not at home。”
“A profound remark! A most ingenious quibble! He went to Millcote this morning
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