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om; yet I am curiously affected by emanations from the immediate surroundings。 I am twenty…two blocks from where Rudolph Valentino lay in state; eight blocks from where Nathan Hale was executed; five blocks from the publisher’s office where Ernest Hemingway hit Max Eastman on the nose; four miles from where Walt Whitman sat sweating out editorials for the Brooklyn Eagle; thirty…four blocks from the street Willa Cather lived in when she came to New York to write books about Nebraska; one block from where Marceline used to clown on the boards of the Hippodrome; thirty…six blocks from the spot where the historian Joe Gould kicked a radio to pieces in full view of the public; thirteen blocks from where Harry Thaw shot Stanford Whites; five blocks from where I used to usher at the Metropolitan Opera and only 112 blocks from the spot where Clarence Day the elder was washed of his sins in the Church of the Epiphany ( I could continue this list indefinitely); and for that matter I am probably occupying the very room that any number of exalted and somewise memorable characters sat in; some of them on hot; breathless afternoons; lonely and private and full of their own sense of emanations3 from without。
When I went down to lunch a few minutes ago I noticed that the man sitting next to me (about eighteen inches away along the wall) was Fred Stone。 The eighteen inches were both the connection and the separation that New York provides for its inhabitants。 My only connection with Fred Stone was that I saw him in The Wizard of Oz around the beginning of the century。 But our waiter felt the same stimulus from being close to a man from Oz; and after Mr。 Stone left the room the waiter told me that when he (the waiter) was a young man just arrived in this country and before he cou
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